H. GOLIGHTLY
Creative Direction, Casting, Styling
H. GOLIGHTLY a free reinterpretation of Breakfast at Tiffany’s: inspired by the idea of reading Holly Golightly as a queer figure caught between performance, longing, and social projection. The photo shoot explores the myth surrounding a possible “male” or fluid original version of the character and translates Capote’s ethereal world of outsiders into a modern visual language.
SARAH4K MERCH
Creative Direction, Photography
H. GOLIGHTLY a free reinterpretation of Breakfast at Tiffany’s: inspired by the idea of reading Holly Golightly as a queer figure caught between performance, longing, and social projection. The photo shoot explores the myth surrounding a possible “male” or fluid original version of the character and translates Capote’s ethereal world of outsiders into a modern visual language.
IN THE CLOUDS
Creative Direction, Casting
IN THE CLOUDS combines the raw aesthetic of smartphone photography with a highly staged visual language.
All images were shot on iPhone using external flashes, creating a deliberate contrast between spontaneous snapshots and stylized high-fashion composition. A reduced cloud-fabric background establishes a minimalist, sculptural aesthetic inspired by contemporary fashion imagery.
EXHALATION
Visaual Art
EXHALATION is a group exhibition curated by Sarah Schurian that reflects on the environmental and emotional impact of textile waste, treating it both as a symbol of harm and a starting point for renewal. It brings together different artistic perspectives into a shared space where discarded materials and their invisible consequences are made tangible. At the same time, the exhibition opens up a vision of future utopias with less waste, where artistic works, performances, and interventions interact in a continuous dialogue between decay and regeneration.
VERBRAUCHTE VISIONEN
Visual Art
H. GOLIGHTLY a free reinterpretation of Breakfast at Tiffany’s: inspired by the idea of reading Holly Golightly as a queer figure caught between performance, longing, and social projection. The photo shoot explores the myth surrounding a possible “male” or fluid original version of the character and translates Capote’s ethereal world of outsiders into a modern visual language.
(ENT-)MYSTIFIZIERUNG DER MODE
Creative Direction, Design, Photography, Casting, Choreography
H. GOLIGHTLY a free reinterpretation of Breakfast at Tiffany’s: inspired by the idea of reading Holly Golightly as a queer figure caught between performance, longing, and social projection. The photo shoot explores the myth surrounding a possible “male” or fluid original version of the character and translates Capote’s ethereal world of outsiders into a modern visual language.
LEMPELIUS
Art Direction, Design, Photography, Casting, Styling
H. GOLIGHTLY a free reinterpretation of Breakfast at Tiffany’s: inspired by the idea of reading Holly Golightly as a queer figure caught between performance, longing, and social projection. The photo shoot explores the myth surrounding a possible “male” or fluid original version of the character and translates Capote’s ethereal world of outsiders into a modern visual language.
GOSEEs
Photography, Casting
H. GOLIGHTLY a free reinterpretation of Breakfast at Tiffany’s: inspired by the idea of reading Holly Golightly as a queer figure caught between performance, longing, and social projection. The photo shoot explores the myth surrounding a possible “male” or fluid original version of the character and translates Capote’s ethereal world of outsiders into a modern visual language.
SHE IS NOT A MODEL AND HE LOOKS GOOD
Photography, Styling
H. GOLIGHTLY a free reinterpretation of Breakfast at Tiffany’s: inspired by the idea of reading Holly Golightly as a queer figure caught between performance, longing, and social projection. The photo shoot explores the myth surrounding a possible “male” or fluid original version of the character and translates Capote’s ethereal world of outsiders into a modern visual language.
WERKSCHAU
Visual Art
H. GOLIGHTLY a free reinterpretation of Breakfast at Tiffany’s: inspired by the idea of reading Holly Golightly as a queer figure caught between performance, longing, and social projection. The photo shoot explores the myth surrounding a possible “male” or fluid original version of the character and translates Capote’s ethereal world of outsiders into a modern visual language.
ANTWORTEN VERANTWORTEN
Creative Direction, Design, Photography, Casting, Styling
H. GOLIGHTLY a free reinterpretation of Breakfast at Tiffany’s: inspired by the idea of reading Holly Golightly as a queer figure caught between performance, longing, and social projection. The photo shoot explores the myth surrounding a possible “male” or fluid original version of the character and translates Capote’s ethereal world of outsiders into a modern visual language.
DAZWISCHEN
Visual Art
H. GOLIGHTLY a free reinterpretation of Breakfast at Tiffany’s: inspired by the idea of reading Holly Golightly as a queer figure caught between performance, longing, and social projection. The photo shoot explores the myth surrounding a possible “male” or fluid original version of the character and translates Capote’s ethereal world of outsiders into a modern visual language.
LENNAR AND VILJAM
Creative Direction, Photography, Casting
H. GOLIGHTLY a free reinterpretation of Breakfast at Tiffany’s: inspired by the idea of reading Holly Golightly as a queer figure caught between performance, longing, and social projection. The photo shoot explores the myth surrounding a possible “male” or fluid original version of the character and translates Capote’s ethereal world of outsiders into a modern visual language.
EX
Art Direction, Photography, Puplishing
H. GOLIGHTLY a free reinterpretation of Breakfast at Tiffany’s: inspired by the idea of reading Holly Golightly as a queer figure caught between performance, longing, and social projection. The photo shoot explores the myth surrounding a possible “male” or fluid original version of the character and translates Capote’s ethereal world of outsiders into a modern visual language.
TROUGH THE NIGHT
Art Direction, Design, Photography, Casting
H. GOLIGHTLY a free reinterpretation of Breakfast at Tiffany’s: inspired by the idea of reading Holly Golightly as a queer figure caught between performance, longing, and social projection. The photo shoot explores the myth surrounding a possible “male” or fluid original version of the character and translates Capote’s ethereal world of outsiders into a modern visual language.
PLIGÍ
Creative Direction, Photography, Casting
H. GOLIGHTLY a free reinterpretation of Breakfast at Tiffany’s: inspired by the idea of reading Holly Golightly as a queer figure caught between performance, longing, and social projection. The photo shoot explores the myth surrounding a possible “male” or fluid original version of the character and translates Capote’s ethereal world of outsiders into a modern visual language.
CALL ME A TAXI
Photography
H. GOLIGHTLY a free reinterpretation of Breakfast at Tiffany’s: inspired by the idea of reading Holly Golightly as a queer figure caught between performance, longing, and social projection. The photo shoot explores the myth surrounding a possible “male” or fluid original version of the character and translates Capote’s ethereal world of outsiders into a modern visual language.
IN THE FALL OF THE AMERICAN DREAM
Art Direction, Casting, Styling
H. GOLIGHTLY a free reinterpretation of Breakfast at Tiffany’s: inspired by the idea of reading Holly Golightly as a queer figure caught between performance, longing, and social projection. The photo shoot explores the myth surrounding a possible “male” or fluid original version of the character and translates Capote’s ethereal world of outsiders into a modern visual language.
PORTRAIT OF A YOUNG GIRL
Art Direction, Casting, Styling
H. GOLIGHTLY a free reinterpretation of Breakfast at Tiffany’s: inspired by the idea of reading Holly Golightly as a queer figure caught between performance, longing, and social projection. The photo shoot explores the myth surrounding a possible “male” or fluid original version of the character and translates Capote’s ethereal world of outsiders into a modern visual language.